Mephymology

Rock The World

Sidney Miller One

Edson Silva I do not tire of enaltecer modern technologies, as Internet and musics MP3, that are resources that allow to have access things that seemed lost in some place of our souvenirs. It was thus, recently when hearing music ‘ ‘ The Circo’ ‘ , of the composer Sidney Miller, magnificently interpreted for the saudosa Nara Lion. I interviewed the singer a time and it I found odd to say that it was ‘ ‘ figurinha carimbada’ ‘ in the albums of dolos of the TV that, together with albums of football players, was part of our infantile disputes, in the wheels of strokes of figurinhas in the recreation of the patio of the schools. But cited music brings gostos, cheiros, light and sounds. The delicious aromas and flavors of the popcorn, the cotton candy or the apple of the love. The peculiar sound of the auditorium formed for many children rigorously folloied by adults; the touch of the folded one that it increased of intensity to the measure that grew the luminosity of the picadeiro, until one Sir dress reverenciava in them well with cartola (I called same hat) in the hand and said traditional: ‘ ‘ Respeitaavel Puublicooo! ‘ ‘ The heart ahead beat fort of the parade that would come: feras domadas, impagveis clowns, incredible magicians, pretty dancers, courageous trapezistas everything this of course paraded in my ears with music ‘ ‘ The Circo’ ‘ it felt me to as if it was in the end of years 60 accomodated in the wooden arquibancada one, under the canvas of those circuses of our infancy, full of courage to take off photo holding the youngling of a legitimate African lion, for desperation of my father. Not to limit what ‘ says part of music; ‘ that it was the circus, it was the souvenir, he was even so and I still was criana’ ‘ I use the Internet to know a little on the composer. I discover that Sidney Alvaro Miller Son was Carioca, was born in 1945 and lived only 35 years, had cardiac arrest in 1980. It was of Saint Teresa, blunted as composer in the decade of 60, participating in festivals of music, very popular events at the time.

The Procedure

Do some stretching exercises, as touch you toes fingers and turning the head from one side to another. Practice different gestures as noted, close your fist, or shrink you shoulder. Like the musicians and athletes, these warming exercises will help you to relax and rest assured that you’re much better prepared to introduce yourself. 3. Use the deep breathing.

A quick way to calm your anxiety is through deep breathing. It takes deep breaths through your nose, keeping the air while you count to five, and then exhales the air slowly through your mouth. While you exhale, feel how pressure and nervousness will gradually draining by your arms, and out on the tip of your fingers, besides that they go down through your body, your legs, and end up coming out your toes also. Repeat the procedure a second or third time if necessary. 4 Prepare an introduction that will relax you and your audience.

Most of the exhibitors know that once they get a favorable reaction from the public, be they calms. Therefore, several exhibitors begin with good humor this the relaxes them and their audience. If a humorous introduction is inappropriate to the occasion or not you feel comfortable with humor, share a personal experience is another alternative. As you prefer, it makes your first movements in such a way that you can feel comfortable during your presentation. 5. Concentrate on the meaning. Instead of worrying about how you look or as you listen you, or whether you’re impressing your listeners, focus your energy on getting the public to understand what you mean. In other words, make sure that your listeners are in the order of your exposure and include your ideas. Pay close attention to your non-verbal communication. If they look confused, explains the concept again or add another example. An exhibitor who focuses on the public soon forgets to be nervous.


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